Monday, May 16, 2022

Palazzo Rucellai

Palazzo Rucellai, Via della Vigna Nuova, Florence

Palazzo Rucellai
Via della Vigna Nuova
Florence, May 2022

“Palazzo Rucellai is a palatial fifteenth-century townhouse on the Via della Vigna Nuova in Florence, Italy. The Rucellai Palace is believed by most scholars to have been designed for Giovanni di Paolo Rucellai by Leon Battista Alberti between 1446 and 1451 and executed, at least in part, by Bernardo Rossellino. Its splendid facade was one of the first to proclaim the new ideas of Renaissance architecture based on the use of pilasters and entablatures in proportional relationship to each other. The Rucellai Palace demonstrates the impact of the antique revival but does so in a manner which is full of Renaissance originality.” (Palazzo Rucellai, Wikipedia)

Sunday, May 15, 2022

Fontana della maternità

Fontana della maternità (Maternity fountain) by Sauro Cavallini, Piazza Ferrucci, Florence

“Fontana della maternità” (Maternity fountain) by Sauro Cavallini, 1996
Piazza Ferrucci
Florence, May 2022

Saturday, May 14, 2022

Parco dell’Anconella

Parco dell’Anconella, Via Villamagna, Florence

Parco dell’Anconella
Via Villamagna
Florence, May 2022

Friday, May 13, 2022

Model of Brunelleschi's dome

Model of Brunelleschi’s dome, Parco dell’Anconella, Via Villamagna, Florence

Model of Brunelleschi's dome
Parco dell’Anconella
Via Villamagna
Florence, May 2022

“It’s well known that Brunelleschi’s dome is shrouded in mystery: the exact logic used in designing it has still never been 100 percent clarified, and even today, there are still varied theories about how it was carried out. Among the many methods in place to help you better understand it are full-scale reproductions, and in this group, one in particular stands out. You’ll find it in the Parco dell’Anconella, just a little outside the center. Created in 1:5 scale and produced by one of the leading Brunelleschi scholars, Massimo Ricci, it recreates the setting of single bricks, set up herringbone style. The dome stands only 2/3 the size of the real structure to allow visitors to observe it from the inside. For its creation, the same techniques from Brunelleschi’s day were used, including tie-rods, pulleys and rib base systems. It’s a real doozy and different from the usual sights.” (Brunelleschi’s dome, Destination Florence)

Thursday, May 12, 2022

Santa Rosa Weir

Pescaia di Santa Rosa (Santa Rosa Weir), Lungarno Vespucci, Florence

Pescaia di Santa Rosa (Santa Rosa Weir)
Lungarno Vespucci
Florence, May 2022

“The weir is an artificial barrage on the river that made it possible to properly channel and convey water in order to exploit it to produce energy for hydraulic factories. The Santa Rosa weir was located in the area of Cascine Park (the other large weir of Florence was the one of San Niccolò, situated in the area of the homonymous gate). It took the water to a fulling mill outside the city. Its structure is still visible today.” (Santa Rosa Weir, Scientific Itineraries in Tuscany)

Wednesday, May 11, 2022

Observatory

Observatory, Villa Strozzi al Boschetto, Via Pisana, Florence

Observatory
Villa Strozzi al Boschetto
Via Pisana
Florence, May 2022

“Built in the mid-16th century for Giovan Battista Strozzi, the park reflects his desire to expand the Cafaggio forest, for which he also acquired a number of the neighboring properties. His residence was built inside the park featuring a large garden, water 'games’ and decorative woodland elements. It wasn’t until after the Second World War that the park and villa were purchased by the City of Florence and transformed into a public park named the Garden of Villa Strozzi or the Boschetto Gardens.” (Villa Strozzi, Destination Florence)

Tuesday, May 10, 2022

Cenacolo di Andrea Del Sarto


Cenacolo di Andrea Del Sarto
(Last Supper of Andrea del Sarto), 1527
Via di San Salvi
Florence, May 2022

“In the old refectory of the Vallombrosan Abbey on the outskirts of Florence, Andrea del Sarto painted the life-like Last Supper, his most spectacular masterpiece and one of the most beautiful paintings in the world. The Last Supper was begun in 1519 and was finished between 1526 and 1527 and he painted it in so good a style that his work was held to be, as it certainly is, the most smooth, the most vivacious in colouring and drawing that he ever did, or rather that anyone could do. For apart from all the rest, he gave such infinite grace, grandeur, and majesty to all the figures that I do not know how to praise his Last Supper without saying too little, it being so fine that whoever sees it is stupefied. It is no wonder that, because of its excellence, during the devastations of the siege of Florence in the year 1529, it was allowed to be left standing, while the soldiers and wrecking squads, by command of those in charge, destroyed all the suburbs around the city, and the monasteries, hospitals and all other buildings. These men, let me say, having destroyed the church and the campanile of San Salvi, and started to tear down part of the convent, had reached the refectory containing the Last Supper when the man who led them, seeing and perhaps having heard speak of this marvellous painting, abandoned what they had embarked on and would not let any more of the place be destroyed, putting this off till they could not do otherwise.” (Giorgio Vasari, 1568).

Monday, May 9, 2022

Colosso dell’Appennino

Colosso dell’Appennino (Apennine Colossus) by Giambologna, Parco mediceo di Villa Demidoff, Via Fiorentina, Pratolino, Florence

Colosso dell’Appennino (Apennine Colossus) by Giambologna, 1580
Parco mediceo di Villa Demidoff
Via Fiorentina, Pratolino
Florence, May 2022

“The Apennine Colossus (Italian: Colosso Appenninico) is a stone statue, approximately 11 m high, in the estate of the Villa Demidoff in Vaglia, Tuscany in Italy. The colossus was erected in the late 1580s by the Flemish sculptor Jean de Boulogne, better known as Giambologna, as a personification of the Apennine mountains. The site was originally part of the estate of the Villa di Pratolino, which was built by Bernardo Buontalenti from 1569 onwards on orders by the Grand Duke of Tuscany Francesco de' Medici.” (Apennine Colossus, Wikipedia)

Sunday, May 8, 2022

Pavoniera

Pavoniera (Bird cage), Viale della Catena, Parco delle Cascine (Cascine Park), Florence

“Pavoniera” (Bird cage)
Viale della Catena
Parco delle Cascine (Cascine Park)
Florence, May 2022

Saturday, May 7, 2022

Two Friends

Friends talking, Haram-esh-Sharif, Old City, Jerusalem

Two friends
Haram esh-Sharif
Old City
Jerusalem, June 1992

Friday, May 6, 2022

Pistachio Nuts

Pistachio nuts stall, Λεωφ. Δημοκρατίας, Aegina, Greece

Pistachio nuts stall
Leof. Dimokratias, Aegina
Greece, August 1995

Thursday, May 5, 2022

No Photo, Please

Drawing portraits, Centre Pompidou, Place Georges-Pompidou, Paris

Centre Pompidou
Place Georges-Pompidou
Quartier Saint-Merri, 4th arrondissement
Paris, August 1991

Wednesday, May 4, 2022

Lietuvos širdis

Thanks to Vytautas Landsbergis, Seimas, Vilnius, Lithuania

“Lietuvos širdis” (Heart of Lithuania)
“Thanks to Vytautas Landsbergis for March 11, 1990”
Seimo rūmai (Seimas Palace)
Vilnius, September 1995

Tuesday, May 3, 2022

Malbork Castle

Castle of the Teutonic Order, Malbork, Poland

Zamek w Malborku (Malbork Castle)
Starościńska
Malbork, September 1999

“The Castle of the Teutonic Order in Malbork (Polish: Zamek w Malborku; German: Ordensburg Marienburg) is a 13th-century Teutonic castle and fortress located near the town of Malbork, Poland. It is the largest castle in the world measured by land area and a UNESCO World Heritage Site. It was originally constructed by the Teutonic Knights, a German Catholic religious order of crusaders, in a form of an Ordensburg fortress. The Order named it Marienburg in honour of Mary, mother of Jesus. In 1457, during the Thirteen Years’ War, it was sold by the Bohemian mercenaries to King Casimir IV of Poland in lieu of indemnities and it since served as one of the several Polish royal residences and the seat of Polish offices and institutions, interrupted by several years of Swedish occupation, and fulfilling this function until the First Partition of Poland in 1772. From then on the castle was under German rule for over 170 years until 1945.” (Malbork Castle, Wikipedia)

Monday, May 2, 2022

Vintage camera

Old fashioned photographer, Acropolis, Athens

Old fashioned photographer
Acropolis
Athens, August 1995

Sunday, May 1, 2022

Saint Adalbert

Pomnik Świętego Wojciecha, Monument to Saint Adalbert, NMP Królowej Polski, ulica Bolesława Chrobrego, Gniezno, Poland

Pomnik Świętego Wojciecha (Monument to Saint Adalbert)
NMP Królowej Polski
ulica Bolesława Chrobrego
Gniezno, September 1999